I bought a couple books over break.The biggest and most expensive one was a Muppets amigurumi book:
(This is a photo I took at my mom's house of the things I was sending back to me, in case they got lost or damaged in the mail).
In the Muppets book, there are many of the familiar ones - Kermit, and Piggy, and Fozzie, and Gonzo and Camilla, and Animal, and even some ones like the Snowths (from Mahna Mahna). And Sam the Eagle.
One thing I like is that they suggest the yarns, and they are common yarns you can find at places like Michael's or JoAnn's. Another thing that tickles me is that unlike a lot of these types of books, this one is "official" (in the sense that the author actually works for Muppet Studios, and it has their blessing).
I haven't started either the one on the lady pirate, or the Raymond Carver book of short stories
I HAD finished "Cry the Beloved Country," so I sent it back to myself. I said early on in the reading of it "this will probably make me sad" and yes, there were points where it was sad - a lot of painful things happen to Stephen Kumalo, the protagonist - he is (IIRC) of Zulu heritage, and is a minister. He and his wife live in the country; their grown son went to Johannesburg and got himself in trouble (and was condemned to die for it). And Kumalo travels to Jo'burg to both find his son, his sister. He finds his sister, she has a son. He invites her to move back with him and his wife, but she does a runner (he does sort of adopt the young son).
He also finds his son (Absalom, and having been raised in Sunday school and seeing that name, I knew it would end sadly for him) and also the young woman (not much more than a girl) who is going to have his son's child.
In the end - his son is lost, his sister is lost, but he adopts his son's girlfriend and his nephew and bring them back to the country.
There's also a parallel in Jarvis, the white farmer (an Anglo person, not an Afrikaaner) who loses HIS son - and whose wife dies in the book.
So a lot of sad things happen. At one point Kumalo contemplates moving from his long-time posting, feeling that the shame of what his son did, and perhaps the secondary shame of his sister abandoning her child, might make the people think less of him. But there's a very touching scene where he comes back from Johannesburg and EVERYONE is so excited and happy to see him again. And in the end, he decides to stay - and sees improvements in the place where he lives, and mentors a young man who comes to work in the town.
One of the things that struck me - of course Paton was a Christian and considered faith a lot in the book. And I think that's partly why, although sad things happened, there's still a sense of hope.
And there's a passage that struck me especially, and I went and got the book to look it back up:
"I have never thought that a Christian would be free of suffering, umfundisi*. For our Lord suffered. And I come to believe that he suffered, not to save us from suffering, but to teach us how to bear suffering. For he knew there is no life without suffering...."
(*umfundisi is "parson" or "preacher" - it's a respectful term for a man of the cloth, and most people in the book refer to Kumalo by this term).
The idea that life will not be free of suffering. Yes, that's true. But that it also can be borne. Though some times it is very hard.
At any rate: an excellent book, you feel you learn (a little bit) about the South Africa of the time** and you also get a bit of meditation on hope and suffering.
(**I have had students from South Africa; the one I know best is a Black African, he never mentioned his tribal affiliation, but I also, years ago, had an Anglo South African)
I'm currently reading a more lightweight book - ECR Lorac's "Death of an Author" which is actually an interesting and well-written mystery, where part of the mystery is the identity of an author who wrote very popular mysteries - was he the man supposed to have written them, or was that man a figurehead and the young woman who was his secretary actually the writer? And was the body found the missing (male) author? It's doubly interesting because the book's author (Lorac) was a woman, and she sometimes seems to have taken some grief for "but this doesn't 'sound like' how a woman would write" and I get the sense she wrote this novel to twit some of her critics. (I've read other of Lorac's mysteries; of these Golden Age British mysteries they are some of the better ones, both in terms of writing and complexity of plot)